Here’s a little confession – I love
Laverne and Shirley. Yes, it’s goofy,
broad and quite behind the times (avoid The Bully Show at all costs), but
there’s something about watching two women struggle against the odds to figure
out who they are and survive in an environment that is considerably hostile to
them, two single women trying to date. For
all of the traditionalism that soaks into the narrative through the girls’ pursuit
of guys and marriage, there are just as many episodes (“The Feminine Mistake”
and “2001: A Sitcom Odyssey”) that served as a burgeoning support pillars for
the nascent feminist movement that was just trying to grasp the concept that it
was okay to want a fair wage, stay unmarried and be less than classically
feminine.
The show suffered through some
growing pains on its way to the eighth season.
Running out of fresh material, they chose to move the girls to Los Angeles,
take them into the 60s and submerge them into the culture of the swinging,
movie-mad era of the time. The girls go
from worshiping Fabian to lusting after the Beatles, but little else changes
besides the size of their set and the introduction of a flighty-surfaced/iron
cored blonde actress/dancer/model named Rhonda Lee
Then Cindy Williams became
pregnant, and the show dealt with that fact very poorly.